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On the right side of the fireplace, lying along the wall, is a rude stretcher,—or what appears to be such,—on which, shrouded decently in a white cloth, lies something that chills with mortal fear the heart, as it reminds it of that to which we all some day must come. Beneath the shroud the murdered man lies calmly sleeping, his face smitten into the marble smile of death.,

"It is like a fairy-tale, and quite as pretty," says little Dorothy, who is quite safe to turn out an inveterate matchmaker when a few more years have rolled over her sunny head.,

"And Uncle Brian?" asks Mona, fearfully.,

This speech is made much of, and laughed at for no reason whatever except that Violet and Doatie are determined to end the unpleasant discussion by any means, even though it may be at the risk of being deemed silly. After some careful management they get Mona out of the room, and carry her away with them to a little den off the eastern hall, that is very dear to them.

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"Why, yes, of course he can," says Mona, without the smallest hesitation. She says it quite naturally, and as though it was the most usual thing in the world for a young man to see a young woman home, through dewy fields and beneath "mellow moons," at half-past ten at night. It is now fully nine, and she cannot yet bear to turn her back upon the enchanting scene before her. Surely in another hour or so it will be time enough to think of home and all other such prosaic facts.,

"Why don't I hate you?" he says, with some emotion. "How bitterly unkind even the softest, sweetest women can be! Yet there is something about you that subdues me and renders hatred impossible. If I had never met you, I should be a happier man.",

"Oh! catch him! do catch him!" cries Mona, "Look, there he is again! Don't you see?" with growing excitement. "Over there, under that bush. Why on earth can't you see him? Ha! there he is again! Little wretch! Turn him back, Geoffrey; it is our last chance.",

"You will come first and see Philippa?" she says, in a slow peculiar tone that sounds as if it had been dug up and is quite an antique in its own way. It savors of dust and feudal days. Every one says he or she will be delighted, and all try to look as if the entire hope of their existence is centred in the thought that they shall soon lay longing eyes on Philippa,—whose name in reality is Anne, but who has been rechristened by her enterprising sister. Anne is all very well for everyday life, or for Bluebeard's sister-in-law; but Philippa is art of the very highest description. So Philippa she is, poor soul, whether she likes it or not.